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Seeing like an archaeologist : Viveiros de Castro at Chavín de Huantar. 1 John Berger, Ways of Seeing INTRODUCTION Published in 1972 and based on a BBC television programme of the same name, this is a very influential text on art criticism. " Why Visual Culture should Impact our Curriculum." The Art of Education." March 1, 2017.
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“The Social Agency of Things? Animism and Materiality in the Andes.” Cambridge Archaeological Journal 19, no. Marx, Karl, “ The Capitalist Character of Manufacture,” In Carma Gorman’s (Ed.) The Industrial Design Reader (2003). Ideology, Materialization, and Power Strategies. Current Anthropology 37. " The Trouble with (The Term) Art." Art Journal, 2006 65(2), 24-32.ĭeMarrais, Elizabeth & Castillo Butters, Luis & Earle, Timothy. His descriptive language requires extra thought in order to develop an understanding of his explanations and avoid being misconceived by future points.Appiah, Kwame Anthony, “ Whose Culture Is It, Anyway?” Cultural Heritage Issues (2010), pp. A fine example comes about in his analysis of analysis ofįrans Hals’ paintings of the regents and regentesses of the old men’s alms house. In “Ways of Seeing,” John Berger uses terminology meant for an audience highly experienced in the field of art, which increases the difficulty for the layman reader. Read Berger’s Ways of Seeing (only chapter 3) and Leppert’s The Female Nude: Surfaces of Desire. The terms peak of breadth and strength signify that the characters are powerful, noble, and accomplished people, which Berger purports to be the result of them supplying him with the necessities he needs to live his life. John Berger’s Ways of Seeing vs Keppler’s The Female Nude: Surfaces of Desire The instructions for the following essay are on the image that I just attached. This instills a somewhat romantic feel into the paintings, meaning that it’s ideal but not realistic. “Unforgettable contrast” means that the characters each appear to have different and complementary personalities and expressions. Their facial expressions alone show a somber mood, but the paintings themselves show camaraderie and contentment. When he says “harmonious fusion,” I believe he means that the positioning of the characters around each other creates a harmony of good-feeling among them that the individuals would not create on their own. In other words, the terms expose the paintings as art instead of reality. “transfer the image from the plane of lived experience, to that of disinterested art appreciation” This states that they change people’s view of the painting from an actual scene they’re witnessing to a fictional depiction of a group interacting. Berger seems to be an extremely controversial art critic, based off opinions of him that range from stimulating. It’s first important to understand what Berger explains is the consequence of using these terms. John Berger’s Ways of Seeing is a short commentary that seems to be about how different classes of people perceive art, how its meaning has changed through the ages, and how the introduction of technology has affected it. In part of the third sentence, “Terms like harmonious fusion, unforgettable contrast, reaching a peak of breadth and strength” Berger uses a host of descriptive terms that require a lot of thought to uncover their meanings. In this paragraph, I believe that Berger is trying to say that the combination of emotions portrayed by the facial expressions, posture and positions of the subjects give the painting its value. His language can be understood by different readers in drastically different ways, which makes his points hard to understand.
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Berger uses phrases such as “compositional unity” and “harmonious fusion” when analyzing the paintings Regents of the Old Men’s Alms House and Regentesses of the Old Men’s Alms House.
#JOHN BERGER WAYS OF SEEING SUMMARY CHAPTER 1 FULL#
A section that demonstrates this can be found in the first full paragraph on page 145. In John Berger’s “Ways of Seeing,” his use of artist jargon makes it difficult for the casual reader to comprehend a lot of the points he makes.